Issue 23
Message Undeliverable
Grace Lee, ,
Issue 23 Message Undeliverable
2
dear hwang-og & dear kitty
Juheon (Julie) Rhee
3
Puzzles
Nicole McCarthy
5
don’t move
George Stein
6
Fire in Snow
Kim Magowan
8
Two Stories
Carolina Ixta Navarro-Gutiérrez
9
Of Separation & Witching Hours
Jen Schalliol Huang
10
Le Bourgeois
Laura Linart
11
Funny Ghost
Sean Talley
13
We didn’t lose the mail
Hasheemah Afaneh
14
Dear John
Robin Jeffrey
15
Genes
Hannah Wagner
17
18
Sorry
Emilia Tongson
21
from Planet Celadon
Genevieve Quick
22
Rough translations
Claire Brock
23
Autistic, Anywhere
Robert Manaster
24
The Chase
Claire Calderón
26
from Proof Of Life
Piper Daniels
From the Editors
Emily Brown, Lila Goehring, Barrie Greeley, Ericka Hiler, Marissa Houston, Hannah Jane Parkins, Jayna Swartzman-Brosky, Kari Treese

Our staff this year was interested in writing and visual art that explores what happens when communication dissolves. We asked for work that investigates what gets lost in translation, what cannot be transmuted, what is hidden from view, and all the ways we fail to reach each other. When our team set out to create a theme for this issue, we kept coming back to how, in this present moment, we have so much information but often feel so disconnected from one another. We are constantly inundated with messages that do not sync or land because of everything we are confronted with. Despite our constant connection, social and physical boundaries continue to limit our expression in ways both overt and subtle. 

We were moved by the range of submissions we received during this reading period. All of the works we encountered were thoughtful and approached the theme in unique ways. To help us narrow down the incredible pool of work, we designed three criteria to help us make our selections. We carefully considered how closely submissions fit the theme, how each piece of writing or visual art fit within the variety we hoped to represent, and how each work hooked us and held our attention. We are excited to share the staff’s selections for Issue 23. 

Be prepared to exist in the space “in between.” What follows are poems, visual art, and prose that explore parenthood, loss, dissolving relationships, family, borders, chance encounters, personal transformation, consent, transience, and miscommunications. We begin with two prose poems from Juheon Julie Rhee that surprised us with their vivid imagery and impressive voice. 

We hope you follow our writers and artists boldly into the spaces in between. We enjoyed the journey and think you will too. 

 

dear hwang-og & dear kitty
Juheon (Julie) Rhee
Juheon (Julie) Rhee

Bio

Juheon (Julie) Rhee is a 14-year-old student and is currently attending International School Manila. During her free time, she enjoys reading Agatha Christie’s mysteries and hanging out with her friends. She has previously been published by K’in Literary Journal, Indolent Books, Heritage Review and has been recognized by Scholastic Art and Writing Awards.

Work
dear hwang-og & dear kitty
Issue 23: Message Undeliverable

dear hwang-og

i’ve always wished for my name to be one of a gem.

reason number one: to be something people paid millions for to glitter in the halogen flash to bring the stretching smile to a face full of brown smudges spread the iridescent light to be held in one’s hand so tight let the veins rise be a magnetic force the merchants all the way from gangnam follow each hold a high price worth being determined

reason number two: to be crafted a sculpted under a steady hand be polished and rinsed till crystal clear carefully placed on the dark feathered pouch

in the spotlight let the sun bow to you—dim its lights the eyes are on you it becomes inanimate-like open up the silk threaded curtains release the bleached light in the ocean of pitch black for when the lights away flicker like candle in the night of fierce rustling they become one you are a museum for i am nothing like you—have the ability to turn invisible yet cannot turn it off in the museum i stand the spotlight on me those walk away being an empty case perhaps as there is no more of me no one knows who i am

dear kitty

i heard you go by kitty now you blame it on the pronunciation though da-in wasn’t that hard it’s been awhile how have you been i haven’t heard much from you are you doing okay how is hawaii treating you are you happy are you sad it’ll be all good what does one say patience is key i bet you have cavities munching on that melted caramel candy with the silver sprayed lotte wrapper so loud i’ve told you your laughter was like white noise i sincerely apologize perhaps it was just my mood do you still carry around the ring from mun-gang gu that does not fit you anymore the glazed color spectrum used to be around you fingers change colors in the sunlight and even in the lamp perched in front of the old haunted looking house where two people apparently died do you remember the pecan door white from the dust and the windows of cobwebs but not a single spider a young couple moved in a couple weeks ago almost for free renovated from top to bottom now it looks like an episode from ebs’s modern houses is it funny now is it now you would carry yourself an elite and maybe you were then we would all want to be with you with your real imported for us jansports not the one from yasijang on gil-dong street carve your initials on to the desk a rebel i would say till you got in trouble and blamed boy in the grade below bestowed with your unfortunate D.L. no remorse no remorse not now you were a legacy too quickly forgotten too many too glad to replace even your carved initials now belong to that little boy oh what he left is yours yet no one would know you were a current chilling and disappearing without a trace wish you were here we all miss you in the empty classrooms it is now a bed and breakfast


Bio

Juheon (Julie) Rhee is a 14-year-old student and is currently attending International School Manila. During her free time, she enjoys reading Agatha Christie’s mysteries and hanging out with her friends. She has previously been published by K’in Literary Journal, Indolent Books, Heritage Review and has been recognized by Scholastic Art and Writing Awards.

Puzzles
Nicole McCarthy
Nicole McCarthy

Bio

Nicole McCarthy earned her MFA from the University of Washington Bothell. Her work has appeared in The Offing, Redivider, Glass: a Journal of Poetry, The Shallow Ends, Crab Fat Magazine, Ghost Proposal, Moonchild Magazine, Memoir Mixtapes, Civil Coping Mechanism’s A Shadow Map anthology, FIVE:2:ONE Magazine, the 2018 Best American Experimental Writing anthology and others. Her work has also been performed and encountered as projection installation pieces throughout Tacoma and Seattle and her written work can be found at nicolemccarthypoet.com. She is a 2018 Artist Trust GAP award recipient.

Work
Puzzles
Issue 23: Message Undeliverable

You know when you’re putting together a puzzle and you’re separating out the pieces depending on color and shape? Say the top half of your puzzle is the night sky. Every starry blue piece looks just like the next starry blue piece. You’re staring at two dark pieces that appear to be the exact same. You fit one into the empty slot and it clicks in. Sort of. In the moment you’re certain it’s the right puzzle piece— it belongs there. The exact one cut for that spot. 

 

You start building more before discovering that other pieces are not lining up well with one another. Something’s not right. Your mind shifts back to that one piece and you try to remember: did it slide in easily? Did it feel forced? How many other similar looking pieces did you try in that spot that felt like it belonged? As you’re nearing completion on the puzzle, one night sky piece remains for a spot that clearly won’t fit it and you realize that the original piece you had a sliver of doubt about did not, in fact, fit.

 

That’s what happened to you and me.


Bio

Nicole McCarthy earned her MFA from the University of Washington Bothell. Her work has appeared in The Offing, Redivider, Glass: a Journal of Poetry, The Shallow Ends, Crab Fat Magazine, Ghost Proposal, Moonchild Magazine, Memoir Mixtapes, Civil Coping Mechanism’s A Shadow Map anthology, FIVE:2:ONE Magazine, the 2018 Best American Experimental Writing anthology and others. Her work has also been performed and encountered as projection installation pieces throughout Tacoma and Seattle and her written work can be found at nicolemccarthypoet.com. She is a 2018 Artist Trust GAP award recipient.

Consent & Field as Runway, Willard, Missouri
Katelyn Joy Wilkinson
Katelyn Joy Wilkinson

Bio

A Kentuckiana native, Katelyn Joy Wilkinson holds an MFA in Poetry from the University of North Carolina at Greensboro and currently lives in Las Vegas, Nevada. She teaches creative writing at the College of Southern Nevada and serves as the poetry editor for the Red Rock Review. Her work has been published in 45th Parallel, among others.

Work
Consent & Field as Runway, Willard, Missouri
Issue 23: Message Undeliverable

Consent

The moment you pull
    my knees apart like oysters
across the cobalt bay
     of the love seat
I still tell myself you must not
     have heard me
didn’t sense my sticking
     my change from measured beat

to rapid pulse muscles clenching
     at the wrong time

you must have heard that
     gasp sucked sideways
through my teeth
     knew it wasn’t for the way

your fingers gripped the back
    of my neck didn’t you
feel me tugging the scarlet
     hem of my skirt back
down over and over
     how long it took to grasp
the rounded edge of a word
     to push from the stuck hinge

of my throat Please, I’m tired
     briny and raw words
you pried from my
     tongue and swallowed

 

Field as Runway,
     Willard, Missouri
  – For John, Grayson, McKinley, and Josh

I can only think of you
in the before: cotton-
candied & grinning

against the ball park

backdrop, your blue &
green & red jackets

jewel tones in the Midwest
night, clean & whole

before they charred to smoke.

Back when I could step

onto planes without
a second thought,

order ginger ale over ice

& press my forehead to
the window with the certainty

of someone who knows

they will reach their destination.
How unimpressive

that suspended animation seems
now. What I would give
to have kept you there –

extinguished the runway

lights, said No, circle back
around,
you’re not clear to

land here.


Bio

A Kentuckiana native, Katelyn Joy Wilkinson holds an MFA in Poetry from the University of North Carolina at Greensboro and currently lives in Las Vegas, Nevada. She teaches creative writing at the College of Southern Nevada and serves as the poetry editor for the Red Rock Review. Her work has been published in 45th Parallel, among others.

George Stein
George Stein

Bio

George L. Stein is a writer and photographer in the New Jersey/New York metropolitan area. Interest in monochrome, film photography and urban decay/architectural subject matter has come to include street photography, fashion, fetish, collage, and oppositional/juxtapositional projects in digital format. His work has been published in Midwest Gothic, NUNUM, Montana Mouthful, Out/Cast, The Fredericksburg Literary and Art Review, and DarkSide magazine.

Work
don’t move
Issue 23: Message Undeliverable
don't move

Bio

George L. Stein is a writer and photographer in the New Jersey/New York metropolitan area. Interest in monochrome, film photography and urban decay/architectural subject matter has come to include street photography, fashion, fetish, collage, and oppositional/juxtapositional projects in digital format. His work has been published in Midwest Gothic, NUNUM, Montana Mouthful, Out/Cast, The Fredericksburg Literary and Art Review, and DarkSide magazine.